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Showing posts with the label Pixar

CAA One-A-Day: Smash And Grab

CAA Cinema: Bringing Pixar's Coco Skeletons To Life

CAA The Supplement / The technical and creative challenges of Disney Pixar's Finding Dory and Moana

The technical & creative challenges of animating 'Hank the Octopus' from Finding Dory (2016) Hank the Octopus wasn't possible with the technology available 13 years ago for Finding Nemo (2003). In this interview Jeremie Talbot (Character Supervisor, Pixar)  and Brian Tong (Senior Editor, Disney) discuss how challenging Hank was to rig and animate, even with todays advancements in technology. The technical & creative challenges of simulating water effects for Moana (2016) Moana is one of Disney's most effects-filled animated movies. In this interview, Kyle Odermatt (Visual Effects Supervisor, Disney) and Brian Tong (Senior Editor, Disney) discuss how they met challenges of simulating complex water effects.

Trailer: Incredibles 2 (2018)

No doubt you've seen this already, but the original is still my favourite of the Pixar bunch!

CAA One-A-Day: Dante's Lunch

Trailer: Pixar's Coco (2017)

Trailer: The Good Dinosaur (2015)

"Every Female Character in Every Disney/Pixar Animated Movie From the Past Decade Basically Has the Same Face"?

Every Disney/Pixar female character has the same face... Discuss  More here!

Trailer: Inside Out (2015)

A much better trailer - witty, nicely observed (and probably sexist).

Teaser: Pixar's Inside Out (2015)

The Blue Umbrella 'Making Of' Holiday Calendar - A CGAA 'Must See'

Okay - this post is for all of you.   The Blue Umbrella 'Holiday Calendar' is a consummate 'Making Of', charting the development of Saschka Unseld ' s Pixar short, The Blue Umbrella (2013) Enjoy a master class in making an animation short – from reading the original pitch to pre-enacting story beats with real umbrellas to early cinematography tests to story reels to color scripts to rain dramaturgy charts to amazing  camera capture workflows . In terms of documenting the development of an animation project, this is exemplary.  Be inspired - and let's raise the bar!    

CGAA Cinema: Inside Out

So Pixar revealed at the D23 Expo the new films their working on... next is a film about a Dinosaur but its the 2015 release that sounds really interesting! Inside Out takes us into the mind of 11-year-old, Riley to watch her confused, prepubescent emotions cope with it all. I look after 11-year-olds every week and I'd be very interested to find out what goes on in their strange heads :-) Game: Can you guess what emotions these guys represent? As a lover of character design I can't help but feel excited about this one. Pixar's characters will have to embody one single emotion... pretty tough call but these 5 above look amazing. Sneaky peek at some concept art! Answer:  Fear, Sadness, Joy, Disgust and Anger

Production Drawings: Monsters University

Go here for a wonderful assortment of character designs from Chris Sasaki for Pixar's Monsters University .

Pixar’s 22 Rules of Storytelling

"These rules were originally tweeted by Emma Coates , Pixar’s Story Artist. Number 9 on the list - When you’re stuck, make a list of what wouldn’t happen next – is a great one and can apply to writers in all genres. " You admire a character for trying more than for their successes.  You gotta keep in mind what’s interesting to you as an audience, not what’s fun to do as a writer. They can be very different.  Trying for theme is important, but you won’t see what the story is actually about til you’re at the end of it. Now rewrite.  Once upon a time there was ___. Every day, ___. One day ___. Because of that, ___. Because of that, ___. Until finally ___.  Simplify. Focus. Combine characters. Hop over detours. You’ll feel like you’re losing valuable stuff but it sets you free.  What is your character good at, comfortable with? Throw the polar opposite at them. Challenge them. How do they deal?  Come up with your ending before you figure out you...

Pixar's New Short Revealed.

It's called ' The Blue Umbrella ', it will be about 6 minutes long and you can see it in the cinema alongside ' Monsters University '. Cute! :D

Monsters University Teaser Posters

Couldn't  be more excited :)  Found in Spungella .

Pete Doctor - "Whatever you like doing, do it!"

After reading through some of the remarkable letters and correspondences on www.lettersofnote.com I found this gem from animator and director Pete Doctor. His simple summation of his work is a brilliant example of how to move forward positively. May 5, 2009 Dear Mr. Kelsey, What would I tell a class of Middle School students? When I was in Middle School, I liked to make cartoons. I was not the best artist in my class — Chad Prins was  way  better — but I liked making comic strips and animated films, so after High school it was no surprise that I got into The California Institute of the Arts (CalArts), a school that taught animation. CalArts only accepts 25 students a year, and it attracts some of the best artists in the country. Suddenly I went from being one of the top artists in my class to being one of the absolute worst. Looking at the talented folks around me, I knew there was no way I would make it as a professional. Everyone else drew...

CGAA Misc. Pixar Concept Art.

Just caught this article on Empire and thought I should share it. A very lovely variety of concept art from different Pixar films has been put together here , so take a look! :D

Pixar's Brave: Creating Merida's Hair

"For  Brave , the team at Pixar had to deal with a hero or rather heroine, who is on screen for almost every shot, but who needed wild, yet beautiful hair. The simulation department needed to develop a technique and approach not only viable on a hand crafted trailer shot, but something that could be used almost ‘out of box’ on most shots, or the film was simply never going to make its deadline..." Something for the tech-heads - an insight into the technical challenge of Merida's wild, unruly hair - courtesy of fxguide.com