Computer Animation Arts

I came across this great set of videos which attempt to distill a certain cinematic technique of a famously styled director into a short video. I thought the Stanley Kubrick one was particularly fascinating, as he made use of the singled point perspective camera angle all the way through his very long and very varied career.  Kubrick // One-Point Perspective Ozu // Passageways Tarantino // From Below Wes Anderson // From Above Sounds of Aronofsky

Summary: Awakening from a coma, four years after being left for dead at the hands of a ruthless band of assassins, The Bride seek revenge. A prime example postmodern culture. Quentin Tarantino’s fourth film is a bloody smorgasbord of pastiches and homages to Asian action cinema and Spaghetti Westerns. Analysis: “This movie reshuffles the elements of the classical Hollywood Western, along with elements of other genres of mass culture, in complicated ways that suggest an allegory appropriate to the age of globalization.” (Mcgee, 2007:236) “Quentin Tarantino makes movies for movies' sake. An unapologetic pulp scribe, Tarantino thinks nothing (or is it everything?) of dropping scores of allusions to the beloved pop culture of his youth into his movie-universe comedy-tragedies. It's all part of the arch postmodernism that makes this loony, nostalgia-act promoter who he is: repellent child to some, cult hero to others.” (Canavese, 2008) Mcgee, P. (2007) From Shane to Kill Bill: ret...