With just five weeks of term time remaining before semester's end, today's PWTM celebrates imagination + hard graft in a round-up of student work from across the CGAA community.
We begin with a selection of completed sequences from Tom Beg's forthcoming adaptation of Oscar Wilde's The Picture of Dorian Gray; taking reference from David Lean, Aubrey Beardsley, and F.W. Murnau, Tom's embrace of theatricality combines restraint with decadence, minimalism with ornament.
The CGAA 2nd year completed their Transcription Unit on Thursday 7th April. For most, it was a game-changing submission - personal goals reached and missions accomplished - and expectations raised for year 3. A selection of work is included here, but be sure to follow the links to their respective 'Art Of's' - as the best of them give an exhaustive insight into the realities of the true task of world-building and story-telling.
Jordan Buckner - The Ticket Taker - Art Of
Sam Hayes - The Suitor - Art Of
Leo Tsang - Tribe 17 - Art Of
Ethan Clements - The City in the Sea (Excerpt) - Art Of
Aleksander Newman - Attic - Art Of
Jack Stevenson - Gray's Anatomy - Art Of
Ethan Shilling - My Pillow - Final Film & Art Of
Jolanta Jasiulionyte - Ivan the Bird - Opening Sequence & Art Of
Ruben Martins - The Music of Erich Zann (Animation Tests) - Animatic & Art Of
Adam Bailey - Trench Duty - Art Of
Simon Watts - 'Future New York' - Technical Paper
Kin Chan - Andrew 'Ender' Wiggin - Art Of
Richard - WWII London - Art Of
Meanwhile, in CGAA Year One, it's been a case of back-to-basics and lightbox eyestrain, as the first years earned their stripes as newbie animators by putting inanimate objects through their paces... This was Animation Meg's favourite - Molly B's NImble Decanter...
Until next time - Be amazing!
Well chuffed :D Just have to wait and see what tomorrow has in store for us!
ReplyDelete