I always like this time of year on Computer Animation Arts. There's a constant humming sound emanating from our busy creative community. It's like shoving your ear against a beehive! At time of writing there are just 33 short days before submission day and everyone has their eye on the prize (and on the clock). Blogs are lighting up with updates and everyone is engaged in their most ambitious project thus far.
Our Year One students have been commissioned by Dr Peter Klappa, lecturer in bioscience at the University of Kent. Dr Klappa's brief challenges our first years to turn a series of bioscientific scenarios into engaging animations for a variety of audiences. This year, Dr Klappa's scenarios are the life-cycle of HIV, and of the Zika virus, the immune system and how it reacts to infection, and how bacteria become resistant to antibiotics. A few weeks back, our first years pitched their respective ideas to Dr Klappa, who was wowed by the range and diversity of their creative approaches, a small selection of which heads-up this latest edition of the Post With The Most.
Our Year 2 students are similarly busy with their Adaptation project - but just before we showcase their progress, I wanted to share a snapshot from their recent acting classes with tutor, Dan Snelgrove. I'm not sure what's happening in the image below - which appears to show Vlad Yankov and Andy Moshi mid-marriage proposal! - but I can tell you our year two students relished their improv classes. Our baseroom was filled with laughter (and cluttered with improbable props) and it was a genuine delight to see so much fun being had by all...
Andy Moshi & Vlad Yankov mid-improvisation
... and when not clowning around in the name of accessing their inner-exhibitionists, our second years have been hard at it, adapting a plethora of existing texts into cg outcomes.
Our third years are an exceptionally committed bunch, working pretty much around the clock to ensure they can meet their deadlines, but dedicated as they are, it would be fair to say pressure is mounting and nerves are beginning to jangle. Their projects are ambitious, characterised by high levels of technical complexity and an artisanal relationship to detail. Enjoy this catch-up with their progress so far:
Congratulations now to CAA lecturer, Jordan Buckner, whose prints went on sale at the Hero Complex Gallery earlier this month. Entitled Visions of a Past, Present and Future, Jordan's set of giclee prints celebrates some of the best science fiction films in cinematic history. From Star Wars to La Jetee, each print is sized at 12" x 36" and limited to 75 per print. This is what the people over at io9 had to say:
"As recognizable as the characters in our favorite scifi movies are, the landscapes are what completes the vision. A new poster set by artist Jordan Buckner focuses on these familiar cinematic vistas, and each one is more gorgeous than the next... the ethereal colors on these pieces, the almost paint-like aesthetic, and the zoomed out, desolate point of view, make them stand out in a world of movie themed, landscape art prints."
At time of writing, many of Jordan's limited-run posters have already sold-out, with Blade Runner and Close Encounters of the Third Kind proving particularly must-have. Hero Complex Gallery have already asked Jordan for new artworks inspired by George Miller's Mad Max: Fury Road...
On Monday 14th March, the exhibition celebrating our MASK collaboration had its official opening at the Zandra Rhodes Gallery at UCA Rochester. As the seven animations played across seven screens, colourful transcripts on the the gallery walls detailed the creative conversations between our graduates and the Kenyan artists, from whose original paintings the animations derived.
Installing the MASK exhibition in the Sandra Rhodes Galley, UCA Rochester
The official blurb... "For this project, a series of graduates from the BA in Computer Animaton Arts (Rochester) have been invited to respond to the winning artworks of the MASK Prize, a creative competiition for schools and young people under the age of 25 in Kenya. Each animator has worked with one selected artwork and produced a short animation based on it. This initiative constitutes a unique creative exchange between young artists in Kenya and recently graduated animators in the UK.
In order to allow communication between practitioners in the two countries, the following blog has been set up. This tool facilitates exchange between the original creators of the artworks and the animators working with them now, and it will also function as a record of the creative process behind each animation. Extracts of the on-going conversations will also be on view at the gallery."
The graduates' blog-based conversations with the Kenyan artists writ large on the gallery walls
It was a genuine delight to see the ways in which our graduates and the Kenyan artists collaborated and how together they were able to tease out themes and extended imagery. You can look in more detail at the development of the animations at the CAA/MASK blog, and it gives me great pleasure to showcase the seven films here:
What the Noise Gave Me by Paula Karanja, 20, Nairobi
Our plan is to turn Britten's instrument-by-instrument guide to the orchestra into a cinematic journey into a 'Kingdom of Sound', wherein each instrument group - woodwinds, strings, brass, and percussion - is envisioned as a city or district. To kick-start the project, we've been challenging the CAA community to an ongoing series of 'Speed Paint Challenges', in which they have to listen to each section of Britten's musical guide and, using each instrument type as reference, respond to it visually via a digital speed paint or two. Take a look at this small selection of the resulting imagery so far:
I asked Vikki for a few words: "It was really exiting news to get the opportunity to have my film accepted into a festival and involved in an organisation’s cause, in which I also take interest. That The Koi & The Crane receives its North American/Canadian Premiere is also great as this is where I'm from originally! Having been selected is great motivation to keep me working on my own films. It took a bit of time and patience to get accepted into a festival so I encourage anyone else to keep pushing to get their films out there too."
Well done everyone. :)
ReplyDeleteIt's been a really exiting month, everything looks so impressive!
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