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Showing posts with the label film editing

CAA Cinema: The Origins Of The Dutch Angle

A nice little over-view... watch and learn!

CAA Cinema: Framing The Shot

CAA Cinema: Everything You Need To Know About Split Screens

CAA Cinema: Language Of Editing / Basic Cuts

CAA Cinema: Cinema 2017: The Dance

A snazzily edited celebration of a year's worth of cinematic hoofing! 

CAA Cinema: The Dutch Angle

The Dutch Angle from Jacob T. Swinney on Vimeo .

CAA Cinema: How Do You Edit An Animated Film?

Really insightful look at the role of the editor as it applies specifically to animated film: particularly useful for year one students, particularly useful for everyone else too! How Do You Edit an Animated Film? from The Royal Ocean Film Society on Vimeo .

Fan.tasia - Multiple Disney films in one mind-blowing edit

Hope everyone's having a great summer. Enjoy!

CAA Cinema: Top 12 Best Long Takes Ever Filmed

There's no greater statement of a director's prowess than a long shot in a single take. And these are 12 of the most masterful. FYI Year 2: No cuts involved in these long shots (well allegedly).

CAA Cinema: The Discarded Image: Episode 01 / Jaws / The Beach Scene

Okay - so the 'Beach Scene' from Jaws (1975) is one of the most analysed of scenes in terms of construction - but this deconstruction is fascinating and comprehensive and well worth a bit more of your precious time!

CAA Cinema: Jaws - Shot By Shot

A fascinatingly forensic breakdown of Spielberg's Jaws - Eight shots deconstructed 'shot-by-shot'.  Illuminating!  Watch and learn...

CGAA Unit 4 Storytelling: Alfred Hitchcock Presents: Psycho 07/02/2012

Summary: On the run with a stolen $40, 000, Marion Crane decides to seek rest at the Bates Motel, only to find the hotel owner, Norman Bates and his elderly mother an all too uncomfortable presence. Employing a number of narrative devices and unusual editing techniques for a Hollywood film, Psycho is perhaps Hitchcock’s most adored works and one of the most analysed and debated films in the history of American cinema. From it’s film noir inspired cinematography, Gothic horror influenced set design, brutal murder scene, Bernard Herrmann’s screeching violins and shock ending - Psycho defined and set the standard of the Horror film genre, becoming an unforgettable classic. Analysis: “Of all the scenes in the film, the one on which he spent the most time – an entire week- was the now famous shower murder. Although it would last less than a minute on screen, the sequence required dozens of shots – of the shower head, of Leigh screaming, of a shadowy killer with a plunging knife, of bl...

CGAA Unit 4 Storytelling: Alfred Hitchcock Presents: Rope 06/02/2012

Summary: Alfred Hitchcock’s Rope tells the story of two young men who murder their former classmate. Setting Rope apart from any thriller film before was the decision to craft it as if it were one long and continuous take. The result is a film which feels distinctly experimental, but the style and conventions of a classic Hitchcockian thriller remain firmly intact. Analysis: “Rope is a picture in which material has been created definitely for camera movements. Scenes were planned for visual strength, which in turn was blended with movement. The continuous flow of action meant that the eye was occupied constantly. And the elimination of the conventional shifting camera excites the audience by making the picture flow smoother and faster.” (Hitchcock 284:1995) Hitchcock, A (1995) Hitchcock on Hitchcock: Selected Writings and Interviews. USA:University of California Press Release: 1948 Director: Alfred Hitchcock Screenplay by: Arthur Laurents Produced by: Sidney Bernstein, Alfr...

Film Terms Glossary

Courtesy of filmsite.org , a handy illustrated glossary of film terminology - a useful resource for film reviews, academic assignments, storyboards, scripts and discussions .